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ALTERNATIVE ENTERTAINMENT: MAINSTREAM VS. ALTERNATIVE PERSPECTIVES

A comprehensive understanding of mainstream and alternative movements enrich discussions about the strengths and weaknesses of each. Sh...

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BOLLYWOOD: THE ENIGMATIC CINEMA OF THE 1980s

It’s easy that calling the 1980s the worst decade for films and music might be a conveniently casual remark for those who do not want to ...

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‘GOOD JOB NELIIMA!’

Aparajita Krishna has this power-packed conversation with Neliima Azeem - she calls her ‘a very consummate and individua...

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JAANE BHI DO YAARO: FOREVER IN RECALL!

Aparajita Krishna unplugs the cult classic that has already consumed generations left behind and will continue to enthral, del...

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ANJUM RIZVI: FROM BEHIND THE SCENES!

Aparajita Krishna goes back to the past and fast forwards the producer Anjum Rizvi’s life in an interesting conversation...

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YET ANOTHER STORY BESIDES PATHAAN

Satyabrata Ghosh explores why audiences at large today prefer to watch a franchise of a spy universe over a modern fairty-tale...

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THE THESPIAN: SUREKHA SIKRI

Her repertoire of work in theatre in particular and then in television and films is vast, writes Aparajita Krishna

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Size Matters?

Film historian Dhruv Somani writes on the phenomenon of filmmakers often selecting lengthy film titles.

ALL ABOUT MOTHERS: THE OLDEST LOVE STORY

In a conversation with writer and journalist Maithili Rao, Shantanu Ray Chaudhuri discusses the new anthology on motherhood sh...

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The Indian ‘New Wave’ for the Millennial

Even though I use a lot of close ups, “Once upon a time, long, long ago…” should be the tone and tenor of this account from ...

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